Two of Britain's leading film directors - John Schlesinger and Gerald Thomas - share the anxiety, hopes and risks experienced by those involved with the movie industry. The Big Screen follows the production of four British films: the eighth James Bond film Live and Let Die, The Optimists of Nine Elms, science fiction-thriller The Final Programme and The 14. Actors Peter Sellers, David Hemmings, Jon Finch, Roger Moore and Jenny Runacre are among those seen at work.

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called "the most powerful movie musical ever made." Narrated by Jeff Goldblum, FIDDLER'S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison's quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar-nominated filmmaker Daniel Raim puts us in the director's chair and in Jewison's heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.

From silent film star Sessue Hayakawa to Harold and Kumar Go to Whitecastle, the Slanted Screen examines the portrayal Asian men in film and television, and how new filmmakers are now re-defining age-old stereotypes.

From silent film star Sessue Hayakawa to Harold and Kumar Go to Whitecastle, the Slanted Screen examines the portrayal Asian men in film and television, and how new filmmakers are now re-defining age-old stereotypes.

Director Baz Luhrmann, actors Austin Butler and Tom Hanks, and others explore the life and legacy of Elvis Presley and the making of the acclaimed hit film, ELVIS.

暂无剧情简介

Kim So Hyun (Kim Tae Hee) is an orphan who lost her father at a young age. Her father, who was a movie director, died in a fire while trying to save his original movie. Having been inspired at a young age, So Hyun took up writing with a desire to make a movie someday. When So Hyun becomes a young adult, she moves into a new apartment. Due to a communication error, she ends up sharing the apartment with a handsome young man named Kim Joon Pyo (Gong Yoo). Little does she know that Song Yoo Ra (Oh Seung Hyun), a childhood classmate, has a secret crush on Joon Pyo! Coincidentally, Yoo Ra and So Hyun work at the same place - So Hyun as the theater clean-up attendant, and Yoo-Ra as a staff in the production department. Park Tae-Young (Park Jung-Chul) is another staff in the production department of the theater that So Hyun and Yoo Ra work at. He meets So Hyun and is surprised to find himself eventually falling for her.

New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and — if the stars aligned — the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.